Sublime Agreement Meaning

Oct 092021

In his critique of judgment (1790), Immanuel Kant continues to clarify Burke`s definition of the sublime, most often the opposite of the beautiful. He says that the beauty of nature is not quantifiable, but only focuses on the color, shape, surface, etc. of an object. Therefore, beauty must be “understood as a representation of an indefinite concept of understanding.” For Kant, however, the sublime is more infinite and can even be found in an object that has no form. The sublime must be considered as a “representation of an indeterminate concept of reason”. Kant basically argues that beauty is a temporary response to understanding, but the sublime goes beyond aesthetics in a field of reason. While Burke asserts that the sublime is born from an object that stimulates terror, Kant says that an object can be frightening and therefore exalted without the viewer actually being afraid of it. But Kant`s definition of the sublime has much more to do. He argues that the sublime is so great in itself that everything compared to it must necessarily be considered small. And from this point of view, an important aspect of the exalted is the work of his own imagination to understand something so great that it seems inconceivable; Therefore, a main aspect of the sublime is the strength of the human mind to recognize it.

Kant transforms the sublime of a formidable object of nature into something that is closely related to the rational mind and therefore to morality. [5] At first glance, it may be easy to answer the question of whether the sublime and the sublimat are related, as they seem to come from the same source. However, the most common meanings in which each of these words is used today are different enough to give a break. The two words are indeed related and even, in some respects, synonymous. Both share the importance of “moving them directly from solid to steam and condensing them back into solid form,” although this is not widespread except among chemists. Sublime was first used as a verb with the above meaning and after one or two centuries of use assumed the adjective role in which it is often found today (“the concert was a sublime experience”). . . .

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